I stumbled upon Reema Moudgil’s Facebook page Unboxed Writers a couple of years ago, and wrote to her like a shy squirrel, asking if she would like to feature one of my blogs in her website. She readily agreed, and since then, like a friend who secretly sends her artworks to media houses to have those published, she visits my blogs on her own, and publishes my stories in her website. Believe me. Such people exist!
Unboxed Writers is a central repository of inspiring, moving stories. (My stories are there too. Ideally, I shouldn’t be bragging much all right.) 🙂 But I love their stories.
A long time after I discovered the page, I learned that Reema Moudgil had written a book called Perfect Eight. I don’t remember when I bought it, but it was languishing in my little library for a while. Why I did not go to the book for so long is a mystery that I would never resolve.
I felt livid when I started reading Reema Moudgil’s Perfect Eight. I was smothered by the unfairness of the world. A beautiful, poetic book like Perfect Eight just has 17 ratings on Goodreads, when books which don’t really talk to our hearts garner soaring attention. But that’s how life works, doesn’t it? It’s not always just.
What can a reader like me do to honour the deserving books? Write about it.
Perfect Eight has a life of its own. The protagonist — whose name I choose not to reveal — stayed with me for a couple of days, relating her life. Sometimes, her presence felt ghostly, sometimes friendly, sometimes depressing, and sometimes she exuded hope and peace. I adored her company.
When she finished narrating her story, my hands pierced through the air, and searched for her. I wanted to hug her. I wanted to tell her that she is loved and cherished. I wanted to tell her that she fought, and that her spirit is invincible.
She had no more words to offer, but I still feel her presence deep inside my soul.
Her mother bears the brunt of the Indo-Pak Partition. She is uprooted from Lahore, thrown into India, where she travels from one place to another, not feeling the sense of belonging anywhere. Her father — an inspiring idealist, a true worshipper of life, a smile-dealer, an eternal optimist — tries to keep their family happy despite all the adversities.
And their only daughter sees beyond what is apparent. She understands the displacement that has wounded her mother. She revels in the unconditional love of her father, and his songs and poetry and wit.
But she is lovelorn in her own ways. Samir. The annoying-yet-lovable Samir handles her heart with reckless abandon. She is vulnerable, and that makes her more beautiful. I won’t ask her to be any other way.
The atmosphere is thick. Indo-Pak Partition. 1984 Anti-Sikh Riots. Demolition of the Babri Masjid. Maybe, it has to be thick, and laden with conflicts, for it is a true reflection of the battles which take place in her.
She bleeds all her life; she recovers like all of us.
Perfect Eight poses important questions on home, love, war, violence, passion, trust, fear… It allows me to meditate, as I travel along with the protagonist, from Patiala to Delhi to Bangalore to Ambrosa, from darkness to hope to light to death to rebirth, forming a perfect eight in life. Just when I begin to think that I need answers, it offers. I want to keep them safe. I would certainly go back to them.
Sometimes, I sat alone on my terrace to watch kites of the deepest pinks, blues and greens and pet pigeons being guided back home with flailing arms, strange, guttural, human-pigeon noises. I wished I could fly too. Somewhere. With someone. To someone.
‘This island is a miracle. It moves from one place to another but no one can see it moving,’ Inder uncle told me. I looked at the island and it looked at me. It was my mirror image. I knew then that, one day, I would move away to a place no one ever expected me to reach. The thought made everything else easier to bear.
The home town, I realise, is a memory of smells that trigger off unbearable nostalgia and unbearable joy, a place too small in retrospect but also the incubator of dreams, a womb of safety, a well-thumbed album of mohallas, familiar faces that smile at you, little lanes you will never be lost in, small shops with fading signboards and beloved bazaars fraying at the edges.
You cannot escape from life. It won’t let you escape. It will find you. And when it does you can either stay or you can run a few more miles till it finds you again. Choose. You tried to hide. To run. Always. What do you fear so much? When you learn to trust, you will learn to live.
Reema Moudgil has given us a heroine, who is incredibly alive. She is so alive that she often worries that she is not living enough, that she is not trusting enough, that she is not loving enough.
Now I must tell her that she is perfect.
She is as perfect as the eight that the silver road at Ambrosa makes. Walking along the eight might bring her back to where she started, but each new round would make her wiser, stronger, braver. So it doesn’t matter if she is taking the same path again. When she embraces her losses and pain, when she sheds her apprehensions, when she takes each step with the belief that she is a new person at every dawn, then every round on the same path is new, and full of possibilities.
Like those occasional marbles on a gravel path.
(FAO bloggers who love diverse reads: This book is written for you!)